SOUTH SOUTH VEZA: Meaning “to show, produce or reveal” in isiZulu — one of South Africa’s 11 national languages — VEZA is a hybrid of a live selling event powered by auction technology and a peer-led Online Viewing Room (OVR) open to the public. The first edition was held from 23 February to 7 March 2021 and featured 50+ galleries from more than 40 cities spread across 30 countries and 5 continents, coming together in their dedication to art of the Global South.

FEATURED

Interview-based editorial, essays and other texts on current events and significant shows in and about the Global South at galleries, nonprofits and museums and public spaces, as well as artist profiles and conversations.

ARCHIVE

A community-built archive highlighting selected seminal exhibitions, texts and moments about modern and contemporary art in the Global South at galleries, nonprofits and museums, as well as archived interview-based editorial and artist profiles. This archive is an ongoing work in progress, to contribute your suggestions write to info@south-south.art.

SOUTH SOUTH VEZA

SOUTH SOUTH VEZA: Meaning “to show, produce or reveal” in isiZulu — one of South Africa’s 11 national languages — VEZA is a hybrid of a live selling event powered by auction technology and a peer-led Online Viewing Room (OVR) open to the public. The first edition was held from 23 February to 7 March 2021 and featured 50+ galleries from more than 40 cities spread across 30 countries and 5 continents, coming together in their dedication to art of the Global South.

ABOUT SOUTH SOUTH

SOUTH SOUTH is an online community, an anthology, an archive and a resource for artists, galleries, curators and collectors invested in the Global South. The platform offers a repository and a space for new, shared value systems centred on community, collaboration and exchange. It is a central portal to experience the programmes and artist profiles of galleries within and dedicated to the Global South. It will host year-round events and seeks, during these tumultuous times, to address an imbalance in the global cultural framework by providing a means to explore a de-centred art world, within a broader geopolitical context. In the featured section, the platform maintains an ongoing interview-based editorial component, including conversations, essays and other texts on current events and significant shows in and about the Global South. In the archive section, SOUTH SOUTH facilitates a community-built archive highlighting selected seminal exhibitions, texts and moments about modern and contemporary art in the Global South at galleries, not-for-profits and museums, as well as archived interview-based editorial and artist profiles. Content of the site is established through contributions from key artists, writers, curators, nonprofit organisations and gallerists. SOUTH SOUTH maintains an ongoing programme. The inaugural event, SOUTH SOUTH VEZA, ran from 23 February to 7 March 2021 and brought together 50+ galleries from more than 40 cities spread across 30 countries and 5 continents, presenting a more holistic world-view of contemporary art.

FEATURED

Interview-based editorial, essays and other texts on current events and significant shows in and about the Global South at galleries, nonprofits and museums and public spaces, as well as artist profiles and conversations.

ARCHIVE

A community-built archive highlighting selected seminal exhibitions, texts and moments about modern and contemporary art in the Global South at galleries, nonprofits and museums, as well as archived interview-based editorial and artist profiles. This archive is an ongoing work in progress, to contribute your suggestions write to info@south-south.art.

Gupta explores the nature of conflict as expression and modality, engaging with historical, geographical and socio-political narratives that yield powerfully discursive, personally resonant and at times playful calls to action, enriching post-modern queer theory through his expressionist politics. SOUTH SOUTH interviewed the artist to find out about each series on show.

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Documenta (13) directed by Carolyn Christov-Bakargiev, was only the second to be led by a woman. It was notable for many others reasons, including an assembly of recruited “agents” from all over the world for her team of advisors led by Chus Martínez from Spain; an explanation that the theme was a “non-concept,” with a long, rambling poetic title (The dance was frenetic, animated, clattering, twisted, and lasted a long time), and a parallel exhibition in Kabul, Afghanistan.

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The Foundation emerged from collectors Lekha Poddar and her son Anupam Poddar expanding their personal interests in art to facilitating wider public engagement with artistic practice and curatorial interventions.

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CALENDAR

A calendar of live events upcoming on the South South platform, as well as events and exhibitions happening around and in connection to the Global South, at galleries, nonprofits and museums.

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