Shezad Dawood's 'Integrations' series

A series looking at modernist buildings across the Global South, and what these reveal about the larger geopolitical backdrop that informed them.

 

Presented by Jhaveri Contemporary at The Armory
Show
9 – 11 September 2022

Jhaveri Contemporary’s presentation formed part of the fair’s section Focus 2022: Landscape Undone. Curated by Carla Acevedo-Yates, the section focuses on solo and dual-artist representations examining the intersectionality of issues surrounding the environment and focusing on personal and political climates as they interact with race and gender.

This body of work consists of paintings on jute, each an abstract portrait of a particular project for the built environment but titled as a portrait of the architect(s) who designed it. Accompanying the paintings are two glazed ceramics that translate these buildings into more anthropomorphic and domestic propositions.

Together, the works consider the utopian train of South-South collaboration embodied by the non-aligned movement and the Bandung (Asian-African) conference of 1955, the Cold War and the petrodollar boom of the 1970s.

Shezad Dawood, Integrations, 2022
The Armory Show, installation view

Shezad Dawood, Integrations, 2022
The Armory Show, installation view

Under the Same Sun:
Art from Latin America Today

Solomon R. Guggenheim Museum, New York, USA
13 June to 1 October 2014

Museo Jumex, Mexico City, Mexico
19 November 2015 to 7 February 2016

South London Gallery, London, UK
10 June to 4 September 2016

Curated by Pablo León de la Barra

Jhaveri Contemporary’s presentation formed part of the fair’s section Focus 2022: Landscape Undone. Curated by Carla Acevedo-Yates, the section focuses on solo and dual-artist representations examining the intersectionality of issues surrounding the environment, and focusing on personal and political climates as they interact with race and gender.

This body of work consists of paintings on jute, each an abstract portrait of a particular project for the built environment, but titled as a portrait of the architect(s) who designed it. Accompanying the paintings are two glazed ceramics that translate these buildings into more anthropomorphic and
domestic propositions.

Together, the works consider the utopian train of South-South collaboration embodied by the non-aligned movement and the Bandung (Asian-African) conference of 1955, the Cold War and the petrodollar boom of the 1970s.

Shezad Dawood, Abdesalam et Patrice, 2022
Oil and acrylic on linen
108 x 84 cm

Shezad Dawood, Jose and Raul, 2022
Oil and acrylic on linen
108 x 84 cm

Shezad Dawood, Edvard, 2022
Oil and acrylic on linen
108 x 84 cm

Shezad Dawood, Luis, 2022
Oil and acrylic on linen
108 x 84 cm

Shezad Dawood, Kenzo, 2022
Oil and acrylic on linen
108 x 84 cm

Shezad Dawood, Maurice, 2022
Oil and acrylic on linen
108 x 84 cm

Shezad Dawood, Plinio, Roberto y Gian Carlo, 2022
Oil and acrylic on linen
108 x 84 cm

Shezad Dawood, Bachir et Marian, 2022
Oil and acrylic on linen
108 x 84 cm

Shezad Dawood, Amyas, 2022
Oil and acrylic on linen
108 x 84 cm

Shezad Dawood, Heydar, 2022
Oil and acrylic on linen
108 x 84 cm

Shezad Dawood, Kamal, 2022
Oil and acrylic on linen
108 x 84 cm

Shezad Dawood, Rinaldo, 2022
Oil and acrylic on linen
108 x 84 cm

Resources

Click here to view the images that inspired the works.