Concert From Bangladesh

‘Concert from Bangladesh’ is a collaborative mixed reality music concert, using cutting edge technology to take audiences on a virtual audio-visual journey through Bangladesh’s past and present, encompassing mystical Baul singers from rural Kushtia, experimental electronics and hip hop from the streets of Dhaka.

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Crafting Communities – a reflection on the significance of Womanifesto

‘Crafting Communities’ was an exhibition that took place at the Asia Art Archive Library in Hong Kong in 2020, and considered the history of ‘Womanifesto’; a feminist biennial programme active in Thailand from 1997 to 2008 that created space for women artists in an art scene dominated by men. ‘Crafting Communities’ forms part of the work that Asia Art Archive is doing with ‘Womanifesto’ to digitise their archive. The exhibition supplemented efforts to make the significance of ‘Womanifesto’ visible through access to materials and highlighting the impact their programming.

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Green Papaya Art Projects

Considering the culture induced by the art world’s “scarcity economy” (a lack of resources and opportunities circulating within the institutional network that has bred a culture of fierce competition), Green Papaya’s generosity in terms of resource sharing has been immensely helpful especially for younger artists and cultural workers who persist outside of the mainstream circles.

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Yokohama Triennale 2020 “AFTERGLOW”

The title of the 2020 Yokohama Triennale, “AFTERGLOW”, was chosen in reference to how, in our everyday lives, we unknowingly experience the residues of light sparked at the beginning of our time, as in the case of how the “white noise” on our analog televisions included fragments of cosmic microwave background radiation left over from the cosmic Big Bang.

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Art and China after 1989: Theater of the World

Art and China after 1989 presented work by 71 key artists and groups active across China and worldwide whose critical provocations aim to forge reality free from ideology, to establish the individual apart from the collective, and to define contemporary Chinese experience in universal terms.

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BIENNALE JOGJA XIII EQUATOR #3: “Hacking Conflict – Indonesia meets Nigeria”

“Hacking Conflict – Indonesia meets Nigeria” was the 3rd edition of the BJ (Biennale Jogja) Equator series, following the first edition in 2011 (India) and 2013 (five Middle East countries). Managed in a new vision and direction by Yogyakarta Biennale Foundation, the Equator series present a strategy that utilises the line the Equator draws around the globe as a concrete practice in exploring and re-reading the world, visioned and projected until the year 2022.

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Burning Down the House – Gwangju Biennale 2014

The 10th edition of the Gwangju Biennale in 2014, Burning Down the House, had curator Jessica Morgan as Artistic Director, who ensured her curatorial framing remained invested in the city’s political history. The title for the Biennale was taken from the American band Talking Head’s 80’s song ‘Burning Down the House’. The song explores ideas related to burning and transformation, destruction and renewal; a core thematic thread for the biennale, with this cycle being a pattern witnessed throughout history.

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